Hiển thị biểu ghi dạng vắn tắt

dc.contributor.authorSzmigin, Isabelle
dc.contributor.authorBengry-Howell, Andrew
dc.contributor.authorMorey, Yvette
dc.contributor.authorGriffin, Christine
dc.contributor.authorRiley, Sarah
dc.date.accessioned2024-03-08T02:56:53Z
dc.date.available2024-03-08T02:56:53Z
dc.date.issued2017
dc.identifier.urihttps://thuvienso.hoasen.edu.vn/handle/123456789/14978
dc.descriptionAnnals of Tourism Research 63 (2017) 1–11vi
dc.description.abstractFrom the early days of hippie counter-culture, music festivals have been an important part of the British summer. Today they are commercialised offerings without the countercultural discourse of earlier times. Drawing on participant observation, interviews and focus groups conducted at a rock festival and a smaller boutique festival, the paper examines how their design, organisation and management are co-created with participants to produce authentic experiences. The paper contributes to research on authenticity in tourism by examining how authenticity emerges and is experienced in such co-created commercial settings. It presents the importance that the socio-spatial plays in authenticity experiences and how socio-spatial experience and engagement can also be recognised as a form of aura.vi
dc.language.isoenvi
dc.publisherElserviervi
dc.subjectAuthenticity,Music festivals,Co-creation,Socio-spatial,Auravi
dc.titleSocio-spatial authenticity at co-created music festivalsvi
dc.typeArticlevi


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Hiển thị biểu ghi dạng vắn tắt