Hiển thị biểu ghi dạng vắn tắt

dc.contributor.authorGiovanardi, Massimo
dc.contributor.authorLucarelli, Andrea
dc.contributor.authorL’Espoir Decosta, Patrick
dc.date.accessioned2024-02-21T09:01:50Z
dc.date.available2024-02-21T09:01:50Z
dc.date.issued2014
dc.identifier.urihttps://thuvienso.hoasen.edu.vn/handle/123456789/14938
dc.descriptionAnnals of Tourism Research 44 (2014) 102–115vi
dc.description.abstractThis paper adopts an ecological perspective to analyze the practices and processes inherent in encounters between residents and tourists. The study contributes to the literature on performance and performativity, seen as a novel theoretical approach in tourism studies, by proposing the concept of performative field, which enables a holistic and ecological consideration of the performances and relationships in tourism. This is in contrast with the binary logic emerging from the available studies, where confrontation between ‘‘hosts’’ and ‘‘guests’’ as two well-distinguished performative forces appears to be the norm. The study draws on non-representational theories and illustrates its arguments through an investigation of the ‘‘Pink Night’’ (La Notte Rosa), an annual festival staged along the Romagna coastal region – a most renowned Italian mass-tourism destination.vi
dc.language.isoenvi
dc.publisherElserviervi
dc.subjectPerformativity; Performance; Embodiment; Inclusive ecology; Non-representationa; Festivalvi
dc.titleCo-performing tourism places: The ‘‘Pink Night’’ festivalvi
dc.typeArticlevi


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Hiển thị biểu ghi dạng vắn tắt